According to ARIA (Australian Recording Industry Association Ltd.)
http://www.ariacharts.com.au/pages/char ... chart=1G50
"The Essential Leonard Cohen" has reached No 9 in album sales in Australia this week.
Hopefully the purchasers are stimulated to try the other albums too.
Stay Light As The Breeze.
Top 10 in Australia
Top 10 in Australia
Too much Leonard Cohen is never enough.
London 1972, Adelaide 1980, 1985, 2009
Sydney 2010; Adelaide 2010
Sydney 2013 X2; Melbourne 2013; Adelaide 2013
London 1972, Adelaide 1980, 1985, 2009
Sydney 2010; Adelaide 2010
Sydney 2013 X2; Melbourne 2013; Adelaide 2013
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- Posts: 67
- Joined: Wed Jun 18, 2008 6:18 am
- Location: Brisbane, Australia
Re: Top 10 in Australia
If the tour here in the Antipodes managed to put him in the top 10, I wonder what the US tour will do there?
Nick,
London 1979, London 1983, London 1988, Brisbane 2009
London 1979, London 1983, London 1988, Brisbane 2009
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- Posts: 51
- Joined: Thu Oct 23, 2008 9:30 am
Re: Top 10 in Australia
Thats kinda unbelievable.
I done my bit by picking up 3 copies, one for myself and 2 gifts, even though disc 3 has a lousy 7 tracks on it.
Maybe Sony could of added Lady Midnight, Joan Of Arc, Last Years Man, The Captain, Coming Back To You, the Gypsys Wife, Ballad Of The Absent Mare, Light A the Breeze, Love Lover Lover, Is This What You Wanted, That Dont Make It Junk, o No More A Rover.......
I could go on.
Pete
I done my bit by picking up 3 copies, one for myself and 2 gifts, even though disc 3 has a lousy 7 tracks on it.
Maybe Sony could of added Lady Midnight, Joan Of Arc, Last Years Man, The Captain, Coming Back To You, the Gypsys Wife, Ballad Of The Absent Mare, Light A the Breeze, Love Lover Lover, Is This What You Wanted, That Dont Make It Junk, o No More A Rover.......
I could go on.
Pete
Re: Top 10 in Australia
The essence of a musical genius
February 28, 2009
The Essential Leonard Cohen (Sony)
A musician's longevity - and this is Leonard Cohen's 17th album in 42 years - produces an immensely diverse fan base. It also produces different entry points to an evolving career. For baby boomers it was always Songs Of Leonard Cohen, released in 1967 with the unforgettable Suzanne as the enduring masterpiece. For many of the younger fans in the audiences that flocked to see Cohen's recent Australian concerts it was a more oblique contact - Jeff Buckley's or Rufus Wainwright's version of Hallelujah from Cohen's 1984 album Various Positions. There were probably even fans who first experienced the Cohen oeuvre from the unlikely vantage point of The Choir Of Hard Knocks. So on a 38-track overview, there will be something for everyone.
This is a personal selection by Cohen and so, implicitly, it offers a rare insight into his favourites and the albums he regards as minor. It is no accident that more than half the songs in the three-CD collection (21 of the 38 tracks) come from only four albums - Songs Of Leonard Cohen (five tracks), I'm Your Man (six), The Future (five) and Ten New Songs (five) - and that albums like Dear Heather and Cohen Live score only one. The end result is peerless. Although Recent Songs scores only two tracks, the collection includes the exquisite The Guests, with its melancholy strings and glorious female chorus, which would be essential in any Cohen fan's list of all-time greats.
There is more than just magic to Cohen's greatest songs. He is a true rarity - a poet who, deeply and effectively, integrates his words with his music. He is much, much more than just a lyricist. Take for example his two greatest songs - Suzanne and Hallelujah. In the first instance the lyrics, particularly those unforgettable images of "the sun pours down like honey" and "she feeds you tea and oranges / That come all the way from China" are set against music that rises and falls with a gentle, seductive wave-like motion. The effect, particularly for those who first heard the song back in the late 1960s, is so powerfully evocative that 40 years later it still evokes all the idyllic and romantic optimism of that era. It is also no accident that Cohen, knowing he didn't have the greatest voice on the planet, very effectively placed his limited vocals against a background of strings and a female backing chorus - a musical combination he continues to use today - which provided a depth and richness to the sound.
In the case of Hallelujah Cohen doesn't skimp on the backing. By 1984, when the song was recorded, his voice had dropped from that of a limited tenor to be little more than a smooth, dark growl but, enriched by what sounds like a hundred-voice choir, the song becomes a glorious, uplifting spiritual declaration of love for music.
If you want the essence of one of the greatest singer-songwriters, this is a near-perfect overview of a truly remarkable career.
Bruce Elder
http://www.smh.com.au/news/entertainmen ... 07889.html
February 28, 2009
The Essential Leonard Cohen (Sony)
A musician's longevity - and this is Leonard Cohen's 17th album in 42 years - produces an immensely diverse fan base. It also produces different entry points to an evolving career. For baby boomers it was always Songs Of Leonard Cohen, released in 1967 with the unforgettable Suzanne as the enduring masterpiece. For many of the younger fans in the audiences that flocked to see Cohen's recent Australian concerts it was a more oblique contact - Jeff Buckley's or Rufus Wainwright's version of Hallelujah from Cohen's 1984 album Various Positions. There were probably even fans who first experienced the Cohen oeuvre from the unlikely vantage point of The Choir Of Hard Knocks. So on a 38-track overview, there will be something for everyone.
This is a personal selection by Cohen and so, implicitly, it offers a rare insight into his favourites and the albums he regards as minor. It is no accident that more than half the songs in the three-CD collection (21 of the 38 tracks) come from only four albums - Songs Of Leonard Cohen (five tracks), I'm Your Man (six), The Future (five) and Ten New Songs (five) - and that albums like Dear Heather and Cohen Live score only one. The end result is peerless. Although Recent Songs scores only two tracks, the collection includes the exquisite The Guests, with its melancholy strings and glorious female chorus, which would be essential in any Cohen fan's list of all-time greats.
There is more than just magic to Cohen's greatest songs. He is a true rarity - a poet who, deeply and effectively, integrates his words with his music. He is much, much more than just a lyricist. Take for example his two greatest songs - Suzanne and Hallelujah. In the first instance the lyrics, particularly those unforgettable images of "the sun pours down like honey" and "she feeds you tea and oranges / That come all the way from China" are set against music that rises and falls with a gentle, seductive wave-like motion. The effect, particularly for those who first heard the song back in the late 1960s, is so powerfully evocative that 40 years later it still evokes all the idyllic and romantic optimism of that era. It is also no accident that Cohen, knowing he didn't have the greatest voice on the planet, very effectively placed his limited vocals against a background of strings and a female backing chorus - a musical combination he continues to use today - which provided a depth and richness to the sound.
In the case of Hallelujah Cohen doesn't skimp on the backing. By 1984, when the song was recorded, his voice had dropped from that of a limited tenor to be little more than a smooth, dark growl but, enriched by what sounds like a hundred-voice choir, the song becomes a glorious, uplifting spiritual declaration of love for music.
If you want the essence of one of the greatest singer-songwriters, this is a near-perfect overview of a truly remarkable career.
Bruce Elder
http://www.smh.com.au/news/entertainmen ... 07889.html
- Andrew (Darby)
- Posts: 1117
- Joined: Sat Jul 06, 2002 5:46 pm
- Location: Melbourne, Australia
Re: Top 10 in Australia
I know I'm a bit late, but I must add that this is a most heartening achievement!
I remember when Ten New Songs was released here being so disconcerted that it didn't even make the top 50 in the album charts, despite doing very well in Europe!
Yes, it has to be primarily the tour (in conjunction with with two recent SBS TV screenings of the IYM film) that's done this, with many Aussie newbies only discovering our man in the last few months.
Moreover, I reckon a significant percentage of folk at the 5 winery gigs would have just been seeking a pleasant summer night of entertainment in convivial circumstances and would have had no idea Mr Cohen had such performance credentials!
Goodonya Leonard!
Cheers
Andrew

I remember when Ten New Songs was released here being so disconcerted that it didn't even make the top 50 in the album charts, despite doing very well in Europe!

Yes, it has to be primarily the tour (in conjunction with with two recent SBS TV screenings of the IYM film) that's done this, with many Aussie newbies only discovering our man in the last few months.



Cheers
Andrew

'I cannot give the reasons
I only sing the tunes
The sadness of the seasons
The madness of the moons'
~ Mervyn Peake ~
I only sing the tunes
The sadness of the seasons
The madness of the moons'
~ Mervyn Peake ~