its4inthemorning wrote:Hi Willy,
I am fairly new here too. In college fraternities, the newly-initiated are responsible for "educating" the pledges. I don't purport having any special wisdom about this board, but I would like to welcome you and tell you that there are some pretty amazing people here, Leonard fans to the nth degree.
I think that pledge is an interesting word, and to some extent accurate. I think to some extent I'm exploring why the music and lyrics have and continue to resonate with me so. We probably all appreciate Cohen in similar ways and also have our own unique connections and interpretations of meanings. It's interesting to see other people's "take" on the man, the music.
its4inthemorning wrote:
Like so many here, I had lost touch with Leonard's work after college, and only recently rediscovered him. What so amazed me after my rediscovery was, despite the fact that many of his later songs are very different from his early musical work, they appealed to me as much. This is seldom true with musical artists, usually you see an explosion of talent in the beginning, and then a gradual decline--it's almost like each artist has only so many original musical ideas, and after they are recorded, it's all downhill. Leonard, on the other hand, can continue to create great music year after year. After "Songs of Love and Hate," which is still my favorite album, is when I lost touch with Leonard. But when I obtained his subsequent albums, I was quite astonished to find that I liked them just as much (the only exception being the album involving Phil Spector. which I cannot listen to). If I hadn't rediscovered Leonard, I would never have known about so many great songs--Everybody Knows, First We Take Manhattan, Anthem, I'm Your Man, Dance Me to the End of Love, Take This Waltz, the list goes on.
I've had Songs of Love and Hate for decades, but it is
so dark in many places that .....I was almost in fear for the singer. Looking back on it and trying to characterize it is it reminds me a little bit of an auditory expression, a similar feeling one may get when viewing some of Van Gogh's self portraits. The view is stark and unnerving. It's easier for me now to revisit some of his earlier works knowing that the story had a happy ending, or at least
happier than might have been expected.
Take This Waltz if a favorite of mine as well, but I find that I love some more than others. I like the 1988 vintage.
....but you are right; there are so many
(both songs and versions)that are excellent!!!
I think that I was afraid that I wouldn't like the new Cohen as much or the newer supporting staff in the same way that I don't seem to prefer most of the covers i hear of his work. I end up feeling like a
chauvinist, and guilty for feeling that way. I was afraid that I wouldn't like the most recent work in comparing it to the earlier work, but that has proven to be an unfounded fear.
its4inthemorning wrote:Why? Because, unless Leonard and the entire group are the best actors in the world, I think they really loved performing these last three years, and will resume performing just because THEY WANT TO. Hope I am not wrong here!
Good luck in catching up with Leonard, I know it will be eye-opening!
Curt
Thank you for that; I love the idea of holding out hope and that there may be yet another tour; and in this case a happy ending for me.
