Leonard Cohen: previously unpublished novel to be released in autumn

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B4real
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Ceremonies from A Ballet of Lepers

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The following is from Leonard Cohen's A Ballet of Lepers.
https://lithub.com/ceremonies/
I suppose I will never lead the ordered life my father led. And I’ll never live in the kind of house he lived in, with its rituals, its dignity, the smell of polish. Whenever I blow into Montreal, I manage to take a look at the old house. It’s that large Tudor-style at the bottom of Belmont Avenue, right beside the park. It looks the same. Maybe the elms on the front lawn are taller, but they were always monumental to me. I couldn’t hold on to the place or the factory and properties that went with it. A man has to discover his own responsibilities. They aren’t necessarily the ones he inherits. But that’s another story.

My father died when I was nine. My sister was thirteen. He had been in the hospital since the end of the summer. Now, it was the middle of January, a deep snow over the city. Nursie told us the news. She was seated solemnly at the breakfast table, her hands folded on the white cloth before her, like a schoolgirl. She greeted us good morning, but she did not speak again during the meal. She looked at us, like she did when we practised our scales, severe, but hopeful as we for a clean run. When we were finished, the door to the kitchen was mysteriously closed. The maid did not come in to remove the dishes.

“You won’t be going to school this morning,” she said, as we were getting up from the table. “Your poor father went very late last night. Mother is still sleeping, so we must be quiet.”

“You mean he’s dead, our father’s dead?” asked my sister, wide-eyed.

“The funeral will be tomorrow.”

We both rushed to her.

“I wanted you to eat your breakfast first.”

Then the day dawned on me.

“But it can’t be tomorrow, Nursie. It’s my sister’s birthday.” So, my sister has a quiet birthday every year. I try to remember to send a card. None of us wished her happy birthday the next morning. I looked in the large dictionary for another word for happy, but I couldn’t find anything you could say on the day of a funeral. At about nine o’clock, six men entered the house and set the coffin down in the big living room. It was surprisingly huge, made of dark-grained wood, brass-handled. It made the living room more formal than we had ever known it. The men placed it on a stand and began to open the cabinet-like cover.

“Close it!” my sister cried. “Make them close it!”

In some houses, the coffin is left open hours before the ceremony. But we were afraid to see our father dead in his own living room, beside the chesterfield on which he always slept after Sunday dinner. My mother came in and told them to close it. I had turned my head and was listening for the click of the cover, but I heard nothing. These men, who make their living among the bereaved, moved noiselessly and they were gone when I opened my eyes. All the morning, my sister and I avoided that room. The mirrors of the house were soaped. It was as if the glass had suddenly become victim to a strange indoor frost. My mother stayed alone in her room. Around noon, people began to congregate in the street and in the hall of our house. An hour later, the three of us came down the stairs. The hazy winter sun glimmered on my mother’s black stockings and gave, to the mourners in the doorway, a golden outline. We stood closest to the coffin, the family behind us. Friends and workers from the factory thronged the hall, the path, and the street. My uncles stood behind me in their black suits, tall and serious, occasionally touching my shoulder with manicured hands. I wore a black swatch on my sleeve and throughout the ceremony I felt for it frequently to assure myself it was still there.


“We’ve got to be like soldiers,” whispered one of my uncles.

My sister and I were defeated. The coffin was opened. I glanced at my sister. We forced ourselves to look at him. He was swaddled in silk, wrapped in a silvered prayer shawl. His moustache was fierce and black against his white face. He appeared annoyed as if he were about to awaken, climb out of the ornate box, and resume his sleep on the more comfortable chesterfield. Throughout the prayers, we watched him. He was buried in the white cemetery close to the gates which one of our cousins donated. The gravediggers looked irreverently informal in their working clothes. A mat of artificial grass had been spread over the heaps of exhumed frozen mud. The coffin went down in a system of pullies. After the burial, there was a lighthearted atmosphere back at the house. Bagels and hard-boiled eggs were served. My uncles joked with friends of the family. My father was hardly mentioned. Though I resented the joviality, I took part in it. I looked under my great-uncle’s beard and asked him why he didn’t wear a tie. Then one of my uncles took me aside. He told me that now I was the man of the house, that the women were my responsibility. This made me proud. I felt like the consecrated young prince of some folk-beloved dynasty. I was the oldest son of the oldest son. It’s strange, considering how far I’ve gone from them, that I still feel like that prince sometimes. The family left last. My aunts helped the maid collect the teacups and the small plates flecked with crumbs and caraway seeds. My mother had used the dishes with the gold pattern, thin ones you could see candlelight through. Nursie supervised the kitchen clean-up, telling my mother to get some rest. On top of the icebox, there was a vase of yellow chrysanthemums. From one of the stalks hung a black-edged card. It was from a Christian friend who did not know that flowers are not displayed in a Jewish house of mourning. Nursie was going to take them to her father’s house. The flowers made me remember my sister’s birthday. There hadn’t been a mention of it all day. Nothing happened. I didn’t devise some sweet gesture to break the silence. I didn’t take a single chrysanthemum to give her or lay on her pillow. I had to wait years before I could get that maudlin. Nothing happened but this conversation. Late that night, I met my sister in the upstairs hall. Neither of us was sleeping very well. She said to come into her room.

“Your feet are cold,” she said, when I had gotten into the bed. “So are yours.”

We lay for moments in silence. There was a bright winter night beyond the window. The yards of lace curtain held some of the light.

Finally, she said, “Did you look at him?”

“Yes.”

“Right at him?”

“Yes.”

“So did I. He looked mad, didn’t he?”

“Yes.”

“And his moustache so black. Like it was done with an eye-brow pencil.”

“They do that to them,” I said.

“We’ll never see him again.”

“Don’t cry.”

“We’ll never see him again. We should have let them keep it open this morning. We could have seen him for a whole extra morning.”

“Don’t cry,” I told her. I think it was my best moment. “Please, it’s your birthday.”

__________________________________

“Ceremonies” is excerpted from A Ballet of Lepers © 2022 by Old Ideas LLC. Reprinted with the permission of the publisher, Grove Press, an imprint of Grove Atlantic, Inc. All rights reserved.
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Re: Leonard Cohen: previously unpublished novel to be released in autumn

Post by MarieM »

https://www.lapresse.ca/arts/litteratur ... -cohen.php

La Presse

A Ballet of Lepers
La genèse de Leonard Cohen

Près de six ans après sa mort, Leonard Cohen n’a toujours pas dit son dernier mot.

ALEXANDRE VIGNEAULT
October 12, 2022

Après le recueil The Flame (2018) et l’album Thanks for the Dance (2019), voici que paraît A Ballet of Lepers, court roman accompagné de nouvelles et d’un texte dramatique qui datent tous d’avant la publication de The Favourite Game (1963).

Le roman A Ballet of Lepers (traduction libre : Un ballet de lépreux), qui donne son titre au livre, est la pièce de résistance. Les nouvelles qui le suivent sont présentées dans l’ordre chronologique établi par Alexandra Pleshoyano, spécialiste de l’œuvre du poète montréalais.

A Ballet of Lepers montre un homme dans la trentaine qui doit accueillir dans la minuscule chambre qu’il occupe à Montréal un grand-père un peu gâteux qu’il ne savait pas toujours vivant. Son arrivée ne va pas seulement bousculer son quotidien, elle va aussi lui donner l’impulsion de laisser libre cours à certaines de ses envies les plus malsaines : il cherchera en effet à venger – ou peut-être à transcender ? – son sentiment de vacuité en humiliant un inconnu et en maltraitant sa maîtresse.

Il y a dans A Ballet of Lepers une grande violence, une haine de soi projetée sur les autres. Une grande solitude aussi. Ce court roman creuse déjà des thèmes que le poète et chanteur polira toute sa vie : rallier le sacré et le profane, la recherche du Salut à travers la sexualité, l’amour idéalisé, le sentiment d’aliénation, mais aussi une quête d’absolu.

Les textes, également empreints de cette ironie indissociable du regard que Leonard Cohen posait sur les choses, ont pour la plupart été écrits à Montréal à partir de 1956 et quelques-uns datent de l’époque où il a vécu sur l’île grecque Hydra, sur la mer Égée.

---------------------

A Ballet of Lepers
The genesis of Leonard Cohen

Almost six years after his death, Leonard Cohen has still not said his last word.

ALEXANDRE VIGNEAULT
October 12, 2022

After the collection The Flame (2018) and the album Thanks for the Dance (2019), here comes A Ballet of Lepers , a short novel accompanied by short stories and a dramatic text that all date from before the publication of The Favorite Game (1963).

The novel A Ballet of Lepers , which gives the book its title, is the piece de resistance. The short stories that follow are presented in chronological order established by Alexandra Pleshoyano, specialist in the work of the Montreal poet.

A Ballet of Lepers shows a man in his thirties who must welcome in the tiny room he occupies in Montreal a somewhat doddering grandfather whom he did not know was still alive. His arrival will not only shake up his daily life, it will also give him the impetus to give free rein to some of his most unhealthy desires: he will indeed seek revenge - or perhaps to transcend? – his feeling of emptiness by humiliating a stranger and mistreating his mistress.

There is great violence in A Ballet of Lepers , a self-hatred projected onto others. A great loneliness too. This short novel already digs into themes that the poet and singer will polish all his life: rallying the sacred and the profane, the search for Salvation through sexuality, idealized love, the feeling of alienation, but also a quest for absolute.

The texts, also imbued with that irony inseparable from the way Leonard Cohen looked at things, were mostly written in Montreal from 1956 and some date from when he lived on the Greek island Hydra , on the Aegean Sea.
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Re: Leonard Cohen: previously unpublished novel to be released in autumn

Post by LisaLCFan »

So, has anyone around here read this book yet? I see that Dennis Berlin received his copy 10 days before it was released, and posted a few comments at that time. Anybody else? Thoughts?

For what it's worth, I read a few of the short stories, and that was enough for me -- I won't be reading any more of it. Some words that come to mind: adolescent, disturbing, abusive, unpleasant, depraved, unlikeable, grim. I did come across a few poetically lyrical words and phrases here and there, but not enough to make me want to endure any more of the book in the hopes of finding more tiny, shining gems amidst all the darkness. As noted in one of the above-posted reviews (from The Guardian), "Ugliness abounds, from the deliberately grotesque title onwards: ugly emotions, ugly actions". Really not my thing.
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Re: Leonard Cohen: previously unpublished novel to be released in autumn

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https://forward.com/culture/521804/a-ne ... lent-side/

The Forward

Leonard Cohen’s lost novel shows the artist’s surprisingly vulgar and violent side
The songwriter wrote the novel ‘A Ballet of Lepers’ in his early 20s, but didn’t publish it in his lifetime

By Irene Katz Connelly
October 19, 2022
A Ballet of Lepers: A Novel and Stories
By Leonard Cohen
Grove Press, 256 pages, $25

Leonard Cohen’s extensive body of work includes over a dozen albums, several collections of poetry, and even some fiction from the early years when he thought he might have a literary, rather than musical, career. But his first novel, “A Ballet of Lepers,” was never published during his lifetime. For decades, Cohen’s four drafts lay buried in his archives at the University of Toronto; now, editor Alexandra Pleshoyano has combined them with several short stories in a collection of the artist’s earliest, unpublished work.

As its somewhat macabre title might suggest, “A Ballet of Lepers” is not light reading. In fact, it’s so physically and emotionally brutal that after finishing it, I had to put my copy away for a week. But it’s also an astonishingly deft and confident work of juvenilia that prefigures the themes that would propel Cohen to fame and preoccupy him throughout his life: passion and violence, sacredness and shame.

Set in post-World War II Montreal, the novel focuses on an unnamed 35-year-old man stuck in a dead-end bookkeeping job and, by his own account, suffocated by his overbearing lover, Marilyn. In the opening scene, the narrator learns that his grandfather, whom he believed to be dead, is in fact alive and coming to live with him. Arriving at the train station to pick him up, the narrator sees this long-lost relative beat up a police officer who has chastised him for spitting in the wrong place. This incident is the narrator’s first glimpse into his elder’s unapologetically aggressive demeanor, which only escalates from there: Within hours of arriving at his grandson’s rooming house, he angers the landlady by breaking a window for better airflow.

From his grandfather, the narrator learns how shockingly and seductively easy it is to behave violently and get away with it. This new philosophy animates a life that had seemed leaden and aimless. Instead of simply tolerating Marilyn, the narrator deceives her into thinking he wants to get married and then jilts her in a humiliating manner. Instead of going through the motions at his job, he plays a series of cruel psychological pranks on a credulous coworker. Most importantly, he begins to stalk and torment Cagely, a train station employee whom he first saw when collecting his grandfather, and whom he hates simply because he is ugly.

The narrator delights in the process of manipulating and hurting those around him. But he faces a harsh reality check when it’s revealed that the “grandfather” he’s been caring for is not actually related to him at all, and that their bond is the result of a clerical error. While the narrator has come to see the old man’s behavior as a kind of philosophical inheritance, he now realizes that living with this violent man has simply brought his most repulsive impulses to the surface. “Was I attributing to him some influence which he had never had?” the narrator wonders. “Wasn’t violence taught eloquently enough in this city, in the forest, in the changing sky?”

Cohen wrote “A Ballet of Lepers” between 1956 and 1957, likely after dropping out of law school and returning to his childhood home in Montreal. (Ironically, he lived there with his own grandfather, a gentle Talmudic scholar who was by all accounts as different from the novel’s patriarch as possible.) One of Cohen’s earliest works, the novel is raw and forceful in describing the slippery nature of desire. Few people go around breaking windows at will, but most have confronted impulses that contravene social norms or, worse, personal principle.

“A Ballet of Lepers” does stumble in its chauvinistic attitude towards its female characters: Marilyn, the landlady, and Cagely’s venal wife, who willingly assists in his humiliation. Unburdened by their own motivations or desires and content to help the narrator through his existential crisis, all three read more like plot devices than fully realized characters. The narrator and the old man inflict extraordinary violence on all three, and because of Cohen’s lack of attention to them, it’s hard to excuse that as gritty storytelling or philosophical allegory. To a charitable reader, these three characters might testify to a kind of callousness common in young writers. To an uncharitable one, they demonstrate a fascination with the abuse of women.

At the end of the novel, the narrator decides to bring some soup to his landlady, whom his not-grandfather has beaten in a climactic scene. But the moment feels less like a gesture of generosity or genuine recognition of the woman’s needs than a performance of growing up. Cohen’s narrator learns the bitter consequences of cruelty, but he never learns to see women as anything other than vehicles for his own self-expression.
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Re: Leonard Cohen: previously unpublished novel to be released in autumn

Post by Berbeyer »

I've written an article on Wikipedia about A Ballet of Lepers: https://en.wikipedia.org/wiki/A_Ballet_of_Lepers

In the fullness of time, once I've read all the stories, I will read the reviews and add a 'Reception' section to the article - as at https://en.wikipedia.org/wiki/The_Flame ... ollection), also just written.
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Re: Leonard Cohen: previously unpublished novel to be released in autumn

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Hi LisaLCFan, I agree the novella 'A Ballet of Lepers' is pretty grim. (The publisher launched a fiction - pun intended - by dubbing it a 'novel'.) Quite competently written, showing that LC in his early twenties was already a very talented, mature writer (and thinker). By no means as packed with gorgeous poetry, though, as 'The Favourite Game'. And yes, dark, despairing, nihilistically violent (was LC exorcising some particular demons?), and largely devoid of the redeeming irony that would become his trademark.

For the stories, having read 'Luggage Fire Sale' (in 'Parallel' magazine, May-June 1966), I feared they might be more like experimentally descriptive episodes about various girls than well-rounded short stories capable of hooking the reader on a clever plot. And of course there *are* girls. But most of the stories I've read so far have been a very positive surprise. Whereas I marked 'A Ballet of Lepers' (the novella) a 7, I marked 'Saint Jig' an 8. Henry wants to fix his virgin friend Jig up; what follows is quite worthy of a short-story vignette. 'O.K. Herb, O.K. Flo' I didn't care for on first reading.

'Signals' I marked an 8.5. A breaker-up turns to his friends for comfort. This one's a little darker again, but good, romantic in its way. 'Polly' gets a 9; it's a piece of prose poetry more reminiscent of 'The Favourite Game' than anything else so far. A boy visits a girl who acts unfriendly but who plays the recorder for him. Try that one if you haven't yet; it's got none of the darkness of the novella. The rest of the stories I haven't got to yet. Best wishes.
Last edited by Berbeyer on Sat Oct 29, 2022 11:14 am, edited 1 time in total.
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Re: Leonard Cohen: previously unpublished novel to be released in autumn

Post by LisaLCFan »

Hello Berbeyer,

Prior to making my above post, the short stories you mentioned were amongst the few that I read, therefore, my comments were meant to apply to those short stories as well as to the few excerpts that I read from the novella.

Glad you enjoyed the stories -- I didn't.

Cheers!
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Re: Leonard Cohen: previously unpublished novel to be released in autumn

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https://twitter.com/_mrspremise/status/ ... qL6ZstAAAA
From Twitter, Míriam Cano, the translator into Catalan, says:
“A month from now, this will be released @Ed_Empuries and now I can say that I spent Christmas locked in my room, in pyjamas, with Leonard.

It is a nouvelle and fifteen short stories that he wrote between 1957 and 1960, a bit The Adventures of Young L.Cohen: Jews in Montreal and the first raid on Hydra. Something very curious and very exciting.”

Excitedly waiting.
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Re: Leonard Cohen: previously unpublished novel to be released in autumn

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https://llegim.ara.cat/critiques-litera ... 93927.html
08/05/2023 ara (newspaper)
Leonard Cohen, writer: between cruelty and grace.

'A ballet of lepers' brings together a short novel and sixteen unpublished stories by the singer-songwriter who wrote when his vocation was literature and not music

Pere Antoni Pons

'A ballet of lepers', by Leonard Cohen (Montreal, 1934 - Los Angeles, 2016), gathers a short novel and sixteen stories that the Canadian singer-songwriter and writer wrote during the second half of the 1950s and the early 1960s, that is to say, when his main vocation was literature and not music. Strange as it may seem, both due to the quality of the materials and the fact that Cohen was already a fairly well-known poet in his country, all the texts in the book were unpublished until they were published in English last year, and that the author of ‘The Future’, as a young man, persistently tried to publish them, as Alexandra Pleshoyano explains in the afterword, but the publishers rejected him.

Faced with a work like this – youthful, imperfect, uneven, but where many of the themes and ways that will characterize the artistic temperament and the extremely complex genius of the author are already indicated – the reader, especially the enthusiastic reader del Cohen composer, singer and lyricist, one may be tempted to approach it with the same condescending reverence that we approach the minor works of giants: a Picasso sketch or a Scorsese short film. You can keep the condescension and give free rein to reverence. It is true that the book is not round, that there are loose and not very personal texts – The heart of the jukebox –, but it is also true that there are some that are already pure Cohen, mystical and dirty, perverse and precious. Like his best songs.

The book, which you can sense has been translated with energy and precision by Míriam Cano, begins with the nouvelle that gives the title to the whole. It is a very existentialist and gutted Cohen, a portrait of youth made with a desire to disturb, in which misunderstandings and strange situations make everything shine with a murky amoral light. It tells the story of a young man who one day is told that his grandfather has appeared, in theory dead, and he decides to take him in. The grandfather is a senile and violent man, and his behavior influences that of the grandson, who ceases to be a calm young man and also becomes an aggressive beast. It may seem like too ignoble material to be Cohen, but it's developed with the house's trademark sapient darkness, wounded elegance and ecstatic tension.

The love triangles, the rich and tortuous experience of the Old Continent that the ancestors brought to Canada, the cultural and telluric strength of Judaism, the contrast between what you are told you should be or what they expect you to be and what you modernity proposes and offers you, artistic bohemia in hotels and bars, a Greek island where expatriates wander aimlessly: all these elements and motifs are very Leonard Cohen - those who have read the biography dedicated to him by Sylvie Simmons, ‘I'm your man’, they will know that they are central -, and in this book they are sometimes shown in all their splendor, for example in ‘Hundred Dresses of Russia’, a terrible and pitiful account of a triple shock (generational, cultural , attitudinal) between a Jewish immigrant grandfather and his artist and libertarian grandson.

Where the author's literary greatness is best seen, however, is in those stories in which, in a typically Leonard-Cohenesque manner, rise and fall, grace and cruelty, love and rage, the death and desire, sensuality and violence. ‘The shaving ritual’ is, in this sense, one of the most truculent and exciting tales I have ever read. While reading it, and while remembering so many song lyrics, I thought that the Swedish Academy made an unforgivable mistake when it did not award, ex aequo, the Nobel Prize to Bob Dylan and Leonard Cohen in 2016.
Translated by Google Translator from Catalan. I liked it, I share it.
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Re: Leonard Cohen: previously unpublished novel to be released in autumn

Post by BillJfromAustin »

I was drawn to Leonard Cohen's words before I knew his name, when a Christian Brother at the Catholic Church where I was raised handed out mimeographed copies of uncredited lyrics to 'Suzanne' to our catechism class. A few years later singer-songwriter Janis Ian told an interviewer that whenever she felt down she listened to some guy named Leonard Cohen. I liked Janis Ian, so I trusted her taste in music. I put down the magazine, toddled off to the record store and scored a copy of Songs of Leonard Cohen.

From the first track I was hooked. I went back to the store the next day to buy the other two LPs he had out at the time, and played all three albums so often that I soon had every word memorized. No surprise, then, that I soon ferreted out his poetry collections and novels, and devoured them. The books were dark, intensely personal, and his oeuvre profoundly impacted my life. I still have copies of those works (and books about LC) on my shelves today.
Library ~ Music 650x488.jpg
Now there's a novel I haven't read yet, short stories, even a radio play! So much to look forward to! :!: 8) :!: I may be late to this newsflash, but I'm a happy fan! Thanks, y'all, for posting this!
Last edited by BillJfromAustin on Mon Jun 12, 2023 11:10 pm, edited 1 time in total.
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