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aliross wrote:asta wrote:aliross wrote:
Ottawa May 26, 2009
I was thrilled to finally hear Lullaby and it was wonderful, the band with Leonard had evolved so beautifully.
Ali Ross
Lullaby was not played; they played the same set both nights. I was really hoping the band would pull out a surprise for us during the encores last night, and "Lullaby" would have been nice!
The set list which was given to us from the stage had Lullaby on it towards the end.
Since I have not heard Lullaby yet, (and why I was looking forward to it so much...) I may have mistaken a piece of music and song they played at that time in the program. Possible different version???...
Whether I heard it or not, or they played it or not, doesn't alter the amazing experience I had at the concert! I am still walking on clouds!
Ali
thermoman wrote:Aha! I knew it could be done. Live performance video of Canada's National Treasure - "The Man" - has been smuggled out of the National Arts Centre!![]()
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From the upper levels you could see hundreds of "Blackberries" recording throughout the evening. Their illuminated screens were very prominent throughout the performance. Many who did record did so only for a few short moments. I was very impressed with the absence of photo flashes throughout the performance. Many concert goers understand the limits of their cameras and choose to simply enjoy the performance rather than concentrate on the recording and miss the magic of the moment.
coopersworkshop wrote:Mr. L Cohen made me believe I will dance and play again, now with humility and naked grace.
Cohen at the National Arts Centre in Ottawa
Amanda Putz at 11:20 AM
Dear Mr. Cohen,
I tried to avoid knowing what you were going to deliver last night. From my friends who went in London, Kingston, and the night before in Ottawa I heard things like, "satiated, post-coital" and "...best 3.5 hour concert of my life" and "I cried."
Even with only those three reports, I kind of expected to be blown away.
In a world full of disappointment, I thank-you for delivering the goods. The tears welled by the third song, Bird on a Wire. I've never felt particularly close to that song until I heard it sung from your lips. I'm at the age you were when you wrote it. It felt like an everyman's song and my heart felt like it was wrapped tight in a tensor bandage.
Those post-oyster feelings came with the recitation of 1000 Kisses Deep. Your voice, it's something else.
Sometimes the very best musicians are not those that rattle triplets on the snare or whose fingers fly across the strings or keys shredding notes like scissors. They're those that can, quietly and understatedly, create a frame for some of the most perfect words ever assembled into verse in the English language. You found the band, you're their man.
You are a dignified gentleman who donated time for each of those musicians to take a turn in the spotlight and showcase their prowess, at which point you removed your hat and then graciously bowed to them in deference afterward. You even took time to thank your drivers and the lighting guy. You are Classy with a capital C.
To anyone reading this in the States or anywhere your tour takes you next, GO see this man. Mr. Cohen, you make it very worth the price of admission, and then some.
Sincerely, your fan and humble appreciator,
Amanda C. Putz
(ps. Yes, I bought the t-shirt. The ticket is my bookmark now.)
Cohen at the National Arts Centre in Ottawa
Amanda Putz
You found the band, you're their man.
And he wants the band to be very good. When we were hiring, his only instructions to me where: “Rossie” – that’s what he calls me sometimes – “I only want the best band on the road this year.” No pressure, then
Amanda C. Putz
(ps. Yes, I bought the t-shirt. The ticket is my bookmark now.)
thermoman wrote:Advice to Young Cohen Newbies; Read the Books First
Then the music and the stage performance completes the experience.
In 1967 Leonard Cohen's books were on our secondary school English class curriculum and we were taught the meaning and nuances of his work by non other than an ex-heroin dependent ex-Jesuit monk from Montreal. This experience was fundamental to my appreciation of Leonard's work throughout my life. (Sex education classes at the time were limited to human biology but these English classes were an excellent substitution that allowed us to talk about sexual feelings, ideas and angst in a more honest and open forum)
I would suggest that if more teenagers and young people were introduced to Leonard Cohen through his literature and poems, they would better understand and appreciate the full scope of the concert performance. This concert production is the latest manifest of the best of Leonard's literary work put into song and theatrical production. It's presentation is sheer brilliance and a thing of beauty that arouses all the primal senses.
This is what good art is supposed to do in all its forms. Leonard's music is built on a complex and rich poetic and lyrical foundation that can easily support continually evolving musical arrangements. We thought that the 80's and 90's tour versions were spectacular but the 2008/09 productions take the material to a much higher level of sophistication that continues to compliment and enhance the literary work of Leonard Cohen.
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